Anna Kaluza, Noel Taylor,Pedro Velasco and Tom Greenhalgh, playing alto sax, clarinet, guitar and
drums respectively. TimeOut described Splatter's music as:feeding 'shards of
rock and black metal into their freeform jazz
Latest CD 'Scraffiti' - buy
'Intercessions' takes place at
Shoreditch Church, blending written music from classical
and contemporary composers with passages of free
Noel Taylor, clarinet
Benedict Taylor, viola
The trio focuses mainly on the
textures and timbral nuances that result from the
combination of the three instruments, but they will also
explode into a very full chamber group sound, with
resonances from jazz and contemporary & classical
music. They have collaborated in performance with
several musicians - Redstart + Mark Sanders, Redstart +
Diatribes, Redstart + Andrea Caputo, Redstart + Alberto
Popolla, Redstart + Julie Kjaer, and they are very open
to future collaborations.
To date our performances have
been in mainly in London, but also Rome, Berlin,
Schiphorst (Hamburg), Birmingham and Brighton, but we
will gladly consider many types of projects, different
venues and situations - collaborations with artists,
dancers, galleries, film makers, other musicians.
Chris Biscoe, sax & alto clarinet
Noel Taylor, clarinet & bass clarinet
Guillaume Viltard, bass
Tom Greenhalghr drums
Happenstance brings me together with the virtuoso jazz skills of Chris Biscoe, the brilliant bassist Guillaume Viltard & vibrant Splatter drummer, Tom Greenhalgh. The band presents an unlikely blend of elements to produce music that veers from the uncompromisingingly raw to the mildly lyrical.
."Armed with alto sax and at least a couple of clarinets, double bass and drums, the quartet was pretty out there for a cold late afternoon at Foyle's Cafe, Charing Cross - and we thank them for that! Guillaume Viltard delivered some pretty impressive playing on his bass, giving with the less loud of the four instruments the "loudest" performance.There's no denying the foursome's expertise in both cool jazz standards and quirky experiments - a pretty good deal for the price of a coffee and a cake on the bookshop's cosy first floor."
from the 'The Importance of Being Musical' blog. (Photo:Danai Molocha).
Trio Rewind features:
Noel Taylor, clarinets
John Garcia on Tiplé
Tom Wheatley on bass
Because we have a willingness to look back as well as forward. and a willingness to inspect and reflect on how we work together. We try different approaches of playing – sometimes very abstract, sometimes a little melodic, sometimes with a reference to jazz chords or rhythms, sometimes playing in parallel to each other, sometimes with a free jazz feel, or sometimes touching rhythmic patterns from different types of popular music : folk, Latin American etc. – and often - layering more than one of these things together.
Formed in autumn of 2014, Grimwald features a combustible mix of:
Steve Beresford (electronics), Roberto Sassi (guitar), Terry Day (drums) and Noel Taylor (clarinets). It makes for a rasping, seething, rhythmic cacophony, that, however saturated, always seems to have one more gear in reserve.
Grimwald bring madcap rock riffs that reel out of control,cascading in all directions, all the time disrupted by a barrage of abrasive electronics and unpredictable noise. Somehow, amidst this tumult, the music flows - and sometimes even ebbs to quieter moments, the storm abating into tranquil havens of lyrical melody.
The Luna Fringe ended in 2014. . It aimed at a mix of types of
music, and sometimes shows the work of artist
flim-makers. The evening was quite happy to accommodate
almost any type of music, but the main emphasis was on
improvisation and experimental music. Musicians have
visited from Germany, Switzerland, Belgium and Sweden,
as well as those based in the UK.
photo of Roger Turner @ Luna
L.I.O performs regularly quarterly at Cafe Oto, with occasional
concerts at other venues such as Ronnie Scotts (London
Jazz Festival), Kings Place, Leytonstone Festival,
Conway Hall (Freedom of the City), HMS President.
The Raw Stories
The Raw Stories Collective
combines composed work by Aled Start with improvised
input from a team of musicians that includes Aled Start
- percussion, Gordon Waterson -counter tenor, Pat Thomas
- keyboards, Will Scott - saxophones, Noel Taylor -
clarinets, Satoko Fukuda - violin, Hannah Marshall -
cello, Adel Sahnoun - flute'
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